4/5
Stars
The film, Holy Motors, directed by Leos
Carax, competed for the Palme d'Or at the 2012 Cannes Film Festival. It
revolves around a day in the life of Monsier Oscar.
Denis Lavant is terrific as the maverick
Monsieur Oscar. Not often do you find an actor, who embodies such versatility
in his range. The make-up department deserves special mention. Direction and
writing par excellence! The film was screened at the 14th Mumbai Film Festival
under the 'Rendezvous With French Cinema' category.
Monsieur Oscar (Denis Lavant) is man of
many moods and faces. He is shows as someone whose 'profession' is to transform
from one character to another. So, he is shown as a businessman, an assassin, a
beggar, a monster and even a mutant (somewhat!). It is never made clear through
the running of the film as to what Oscar's motives are. He is chauffeured
around by an elderly, gentle lady who is doing her job of keeping her master
safe. The two move around Paris running one assignment after another. The
so-called assignments range from amusing to absurd. You have Oscar and a woman
shown fornicating, albeit with their latex body suits on. There's another
sequence wherein Oscar is supposed to kill a former accomplice Theo. Following
the stabbing, he makes Theo's corpse appear exactly like him so as to make it
look like his assassination. However, it does not go as planned and what you
have is two Oscars lying on the floor in a pool of blood. There's one
particular sequence in which Oscar is shown playing the accordion, and
subsequently being joined by an orchestra. This particular instrumental is
stupendous and the way it has been shot is mind-blowing. The story of the film
is not linear. There are different interpretations that you can extract out of
this French masterpiece. However, at no point does the film get tiring. It does
get confusing, albeit pleasantly confusing! If that's an emotion!
The performances given by the lead actor
and the rest of the supporting cast are marvellous. The make-up is
out-of-this-world. The cinematography deserves special mention as do the
special effects team.
Don't take this film too literally. Sit
back, relish the proceedings. Once the film's over, give a long thought about
what it's trying to convey. It has many connotations - political, man vs
machine, religion v/s science.
Beauty is in the eye of the beholder, as someone
in the film says. Apt for the film itself!
It's a different kind of film alright, but
it is one that you should watch!
Shivom
Oza
it has been shot is mind-blowing. The story of the film is not linear. There are different interpretations that you can extract out of this French masterpiece. However, at no point does the film get tiring. It does get confusing, albeit pleasantly confusing! If that's an emotion! 500k Motors
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