Showing posts with label 1/5. Show all posts
Showing posts with label 1/5. Show all posts

Thursday, 6 June 2013

Mere Haule Dost (2013) Review by Shivom Oza – Such A Howler!

1/5 Stars

I had found the premise of Mere Haule Dost was quite interesting, which is why I thought that I should review the film. It revolves around 5 friends, Mota, Bong, Dada, Bheja and Paisa (all nicknames, presumably), who want to go on a bike rally in the Himalayas but do not have the resources.

However, a good concept has to be executed in the same manner. Mere Haule Dost fails to transcend a decent premise into a passable screenplay. Most aspects about this film, from the dialogues to the camerawork to the screenplay to the performances, are amateurish. Notwithstanding the poor production values, the film, which encompasses elements like friendship, trust and love, fails to connect with the viewer at any level.

The basic plot has been already given above. Beyond that, the film focuses on the problems that the five friends face in their personal lives (matters of money, heart etc.).

None of the performances leave a mark. Writer-director Nitin Raghunath tries to capture real situations out of the lives of ordinary college-going students. However, it gets too much into detail, hence making the end-result very cringe-worthy. The basic story had a fair bit of potential, the only positive from the film.

This one’s a howler!      
                                        
Shivom Oza

Thursday, 19 July 2012

Mere Dost Picture Abhi Baaki Hai (2012) Review by Shivom Oza – Mere Dost Picture Achchi Nahin Hai

1/5 Stars

9-years-in-the-making, the film is about a disgruntled duo of a struggling actor and an aspiring director who are trying their level best to make a feature film. However, they face the strangest of odds on their way to become successful in film world.

Amar Joshi (Suniel Shetty) is a boy from Benares who pursues direction at a filmmaking school in London. Wanting to return to India to make a film on a rape victim called ‘Cheekh’, he approaches his friend Suraj (Rajpal Yadav) to get an entry into Bollywood. Upon reaching Mumbai, he realizes that making a film won’t be as easy as he reckoned. He faces weirdo characters; superstitious, foul-mouthed, debauched, sex-starved, corrupt, perverted and some of them, plain dumb. There are cameo appearances by Suresh Menon (a badly stereotyped South Indian music director), Deepak Qazir (an impulsive spirituality-struck producer), Avtar Gill (another sex-starved producer with a fixation for item numbers), Razzak Khan (as the crotch-tugging, foul-mouthed producer gave us some of the most disgusting moments in the history of Indian cinema) and many more. Udita Goswami as an established actress Mohini and Mumait Khan as a gangster’s moll also lurch around in the film. That the film finally gets made or not forms the crux of the story, not that you care!

Awful, even keeping in mind that the film has been in the making for almost a decade, there is certainly no excuse for mediocrity. Suniel Shetty and Rajpal Yadav ham through their roles. They have to pretend throughout the film that they aren’t really interested in making the film ‘Cheekh’. However, they look like they aren’t interested in making the film ‘Mere Dost Picture Abhi Baaki Hai’ as well. Rajpal plays a guy who cannot speak English properly. Hence, he mispronounces words which end up meaning something else from what was intended and yes, embarrassing to pits. Sexual innuendos are rampant throughout this film. They don’t bring about hilarity at all. In fact, they are supremely cringe-worthy. Other ‘stars’ in the film include Udita Goswami, Mumait Khan, Shawar Ali, Shyan Munshi etc. Even veteran actors such as Om Puri and Neena Gupta are hideous in their badly written characters.

It is so ironic that the film which spoke about the difficulties of filmdom, itself was in the cans for nine long years. Yet, after watching the film, it does not seem surprising at all. Such inane writing merits no acknowledgement. Even the music of the film is yawn-inducing. Director-writer Rajnish Thakur can probably keep revisiting this film to learn why a film doesn’t work.

Haggard storyline, lacklustre dialogues, annoying music and tired performances, make this film a terrible watch. You should not veer towards the ticket-window for this one.
Disappointing to the core! (First Posted in MSN)

Shivom Oza

Friday, 6 July 2012

3 Bachelors (2012) Review by Shivom Oza – These Bachelors Are Better Left Untouched

1/5 Stars

A film that was made in the year 2002 unfortunately fails to appeal, in any way. With a clichéd storyline, stereotypical characters and lifeless music, ‘3 Bachelors’ is quite a ‘dud’. Even Sharman Joshi’s presence fails to lift the film, in any way.

The story is about two bachelors, Amit (Sharman Joshi) and Jai (Manish Nagpal), who have just moved into Mumbai to study at a reputed college. However, fate hits them hard on the very first day. Not only do the boys get ragged on the first day, but also fail to acquire any accommodation. Only one landlady is willing to give a house, given that the tenants are a married couple. Jai bites the dust and goes for a makeover (a la Kamal Haasan in ‘Chachi 420’) and becomes Jaya, Amit’s wife. Incidentally, the landlady, Shalini Devi (Himani Shivpuri), is also the principal of the college that the two boys study in. Shalini Devi’s nieces Neha (Raima Sen) and Nisha (Riya Sen) fall for the two boys. There is another angle. A professor Deepak Varma (Manoj Pahwa), who is supposedly a widower (suggested, not told), is looking for a promotion at the college. In lieu of that, he tries to woo the college principal. Yes, the story is quite messed up. A lot of misunderstandings, a couple of songs, endless revelations and heartbreaks later, this ‘dated’ film reaches its predictable climax.

The two leading men Sharman Joshi and Manish Nagpal strike up brilliant chemistry. Both have great comic timing, and the duo manage to lighten up the proceedings whenever they appear on the screen. However, the film itself is so dated (it went on floors a decade back) that even the supposedly ‘good’ scenes fail to create an impact. The writing is to blame for this, which unfortunately, ends up spoiling the entire movie-watching experience (Irrespective of the performances). Seasoned actors such as Manoj Pahwa and Himani Shivpuri too, deliver fine performances, but are let down by the lacklustre writing. There are a couple of cameos in the film, Mika Singh crooning ‘Something Something’ and Nigar Khan in an item number. However, the film has already become too yawn-inducing to elicit any interest from the viewer, thereon. Raima Sen and Riya Sen are major disappointments. Since, their voices have been dubbed, albeit miserably, won’t say much about their dialogue delivery, but the acting itself is appalling.
As already mentioned, the writing is horrible. The writers (Raghuvir Shekhawat and Ajai Sinha) come up with out-dated jokes, clichéd dialogues and an uninspiring storyline. The makers too, should take the blame for this debacle.

The editing (Sanjay Sankla) is average. When the film itself is bad, there is nothing much that the editor can do. The direction by Ajai Sinha is just about average. Can’t keep giving the timing as an excuse! There were good films made, a decade back as well. Daboo Malik shells out forgettable numbers.
  
Had this film been released in 2002, it would have found quite a few takers. Such films used to work at that point of time (single-screen theatres were more in demand, back then). The producers should have released the film directly on television (keeping the financial constraints in mind), instead of giving it a proper release.

The film cannot be watched, at one stretch. Maybe, if it does come on television, you may catch it to see the pre-‘Ferrari Ki Sawaari’ Sharman Joshi. However, not a single paisa should be spent on ‘3 Bachelors’. (First Posted in MSN)

Shivom Oza